Harvest:An International Multidisciplinary and Multilingual Research Journal
Home
About Us
About the Journal
Mission
Publication Schedule
Editor's Role
Editorial Policy
Privacy Policy
Copyright Notice
Publication Ethics
Peer Review Process
Feed Back
FAQ
Submission
Guidelines for Submission
Author’s Guidelines
Download Copyright Form
Editorial Board
Current Issue
Archives
Special Issues
Contact
Follow us on Social Media
Harvest: An International Multidisciplinary and Multilingual Research Journal
E-ISSN :
2582-9866
Impact Factor: 5.4
Home
About Us
About the Journal
Mission
Publication Schedule
Plagiarism
Editor's Role
Editorial Policy
Privacy Policy
Copyright Notice
Publication Ethics
Peer Review Process
Feed Back
FAQ
Submission
Guidelines for Submission
Author’s Guidelines
Download Copyright Form
Editorial Board
Current Issue
Archives
Special Issues
Contact
Special Issues Abstract
Home
Special Issues Abstract
Special Issues Abstract
Volume V Special Issue III August 2025
Name of Author :
Lourdes Jeffy. E
Title of the paper :
The Function of Role, Symbolism, and Satire in George Orwells Animal Farm: A Political Allegory
Abstract:
George Orwells Animal Farm is a brilliant political satire that employs symbolism and irony to critique authoritarian regimes and the corruption of revolutionary ideals. By using anthropomorphic animals, Orwell makes complex social and political issues more accessible to a broad audience. The animals on Manor Farm represent various social classes and political figures, with the pigs symbolizing the ruling elite and the other animals representing the oppressed masses. Orwell highlights how power structures evolve and betray their foundational principles through symbols such as the windmill, the Seven Commandments, and the farmhouse. Irony pervades the narrative, exposing the hypocrisy inherent in totalitarian systems. This paper examines how Orwells satire and symbolism effectively deliver a timeless warning about dictatorship, propaganda, and the manipulation of truth.
Keywords :
Satire, Symbolism, Totalitarianism, Propaganda, Social Critique
DOI :
Page Number :
304-306